This is made even easier through the use of the well written operations manual.
Soundcraft ghost 32. how to#
Although such a large desk can appear daunting at first, once the user learns how to operate one channel, he or she understands virtually the entire board. It's very easy to get a great sound quickly out of this console. There is an optional meterbridge and a connection for an additional 24 channels, but I never have had the need to purchase either of these pieces of gear. The board has MIDI mute automation through stored scenes, can be synchronized through SMPTE time code, and also can control various multitrack recorders with the correct data cables. Nearly all of the connections are on top of the console towards the rear, rather than behind the mixer, making for easy access and patchwork.
All 32 microphone inputs are XLR and have individual phantom power on each channel. Connections that can't be changed all have a trim to adapt to the level needs of your studio. The console mostly runs at +4 through 1/4” connections, but if the user opens the board and moves some jumpers it can be set to record at -10. There are direct outs for each of the main channels which can also be switch to 8 group outs. Channels A and B can be combined to mix up to 64 channels simultaneously. EQ can be disengaged on any channel (A or B) for recording or for comparison at any time. The A channels have parametric EQ with a variable Q, whereas the B channels have high and low band EQ, which can instead be switched to the main channels upon mixdown. The Soundcraft Ghost 32 has 32 A (main) channels with faders and 32 B (return) channels with knobs.
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